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Video productionWe plan the shots with you before the day, bring the camera, lighting and audio crew, and hand back finished films on a date agreed in writing. No vague timelines, no unusable footage.
Almost every business we meet has paid for a shoot that went nowhere. It usually fails in one of three places.
The crew arrives and asks what you want. You improvise, they shoot whatever is in front of them, and the edit has no story to tell because nothing was planned to tell one.
Wrong angles, unusable audio, nothing shot for vertical. The editor works around gaps instead of building the film you wanted, and you never see the shots you imagined.
Weeks pass. You follow up. The freelancer is on another job. By the time the film lands the event is old news and the moment to post it has gone.
Every shoot starts with a shot list built around what you actually need to show: the room at its best, the crowd, the product, the faces. You approve it before the day, so nobody is improvising on your time.
Camera, lighting and dedicated audio. Interviews and speeches are recorded on separate mics, not the on-camera one, because bad sound is the fastest way to make good footage unwatchable.
No vague scope. Every item below is written into your agreement before we start.
We look at your last 30 days and your Google profile, then send three specific fixes within 48 hours.
Shot list, locations, timings and deliverables agreed and put in writing.
Crew arrives set up and briefed. You carry on running your business.
Edit, your revisions, final files and raw footage to your drive.
Every plan starts with the same free review, so you know what you are buying before you buy it.
One event, launch or venue film
Businesses that need content every month
Festivals, conferences and launches
If it is not working after month one you can stop, and you keep everything we have made for you.
Raw files, final assets, ad accounts and website builds stay in your name. Nothing is held hostage.
Deliverables and delivery dates are fixed before work starts, so you are never chasing an update.
Two weeks is comfortable for a planned shoot. We hold slots for retainer clients, and we have turned around urgent event coverage in 48 hours before, so ask even if the date is close.
Yes. Travel and accommodation are quoted separately and agreed before the shoot, never added afterwards.
If a technical fault on our side makes a deliverable unusable, we reshoot at our cost. This is written into the scope, not a goodwill gesture.
Yes. We can hand over graded raw footage and a proxy set for any editor to work from.
You do, outright, including the raw files. We ask for permission to show work in our portfolio and you can decline.
Start with the free content review. We will tell you what your last 30 days of content is missing, and whether a shoot is even the right fix.
Free, delivered within 48 hours. No call required, no commitment.
